When Snail Mail first broke through nearly a decade ago, singer-songwriter Lindsey Jordan was viewed as part of a burgeoning new sub-genre: “angsty indie music led by young (often queer) women such as Phoebe Bridgers, Soccer Mommy, Lucy Dacus, or Mitski,” Louis Chilton writes. But the label never set well with Jordan, calling it a “weird energy” concocted by the media. Jordan and Chilton recently sat down to talk about a lot of things, including Snail Mail’s stellar new album Ricochet. Like Indie? This is a good Sunday read you can find at
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