#moog

“‘WE WANTED TO SAVE LIVES’, PALESTINE ACTIVISTS TELL COURT” by John McEvoy in Declassified UK @palestine @iran @iraq@mastodon.social @palestinenews@gts.liberated.press @uk_politics @UKLabour@mastodon.cloud “A jury at Birmingham crown court is deliberating whether four pro-Palestine activists committed criminal damage at an arms factory in Wolverhampton. Defendants Iain Evans, Hisham Alkhamesi, Frank Sherman, and Hana Yun-Stevens believed the factory, used by arms firm Moog, supplied weaponry to Israel. They climbed onto the roof in August 2025, smashed equipment and unveiled a banner saying ‘Free Palestine’ while wearing T-shirts with the names of Palestinians killed in Israeli airstrikes” https://www.declassifieduk.org/we-wanted-to-save-lives-palestine-activists-tell-court/ #Press #SocialMedia #UK #Moog #ProPalestine #Weapons #Israel #Jury #Court #PalestinianGenocide #Gaza #Genocide #Israel

Ended the weekeend and welcomed the week with In den Gärten Pharaos ("In Pharaoh's Gardens") the second album by German band Popol Vuh, released in 1971 by record label Pilz. On side A is the title track "In den Gärten Pharaos", an ancient, contemplative meditation with the sound of rippling water, Moog synthesizer, Fender Rhodes, and African percussion. The Moog creates an exotic and alien sound while the African percussion and the water effects are interwoven throughout bringing the listener back to earth.[citation needed] The track was recorded at Trixi Studio in Munich. The second song "Vuh" is dominated by one massive organ chord creating an epic wall of sound. "Vuh" uses the wide range of the organ, both the low drones and the high crescendos. Turkish percussion and layers of cymbals increase the intensity of the music... - Wikipedia https://www.youtube.com/watch?v=BkzmKC-M7_4&list=OLAK5uy_kCgxGRHzHNhW_5MNyCmNM7IEHUB5-B3V0 #PopulVuh #Cosmiche #Moog #FlorianFlicke #Music #Ambient #Krautrock

I Belong To A World That's Destroying Itself. Aka Revenge by Annette Peacock, released in 2014 on Ironic Records (and originally in 1971 on Polydor) Review by Thom Jurek Recorded live in various studios in 1968 and 1969 (written and arranged completely by Peacock), this is one of, if not the, very first record to feature a Moog Synthesizer modulating lead vocals. The rough recording aspect -- understandable given technological limitations at the time -- is actually a boon to this version; it is remarkably fresh, raw, energizing, and prophetic even now... The testifying title track is an environmental anthem that demands a return to natural sources; its poetry is just as bracing in the 21st century, and absolutely free of idle sentiment. The gospel stomp of the B-3, electric bass, and breaking drums frame her distorted vocal, adding primal urgency and steely poignancy... https://www.youtube.com/watch?v=gddSgf2RxPg&list=RDgddSgf2RxPg&start_radio=1 #AnnettePeacock #PaulBley #Moog #Music #FreeJazz #Jazz