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Crews Maniac Sound - Six Nylon
#AcousticApril is over and we are done with acoustics. …Or ARE we‽
Once upon a time, Les Paul realized that if you are going to put magnetic pickups on a guitar anyway, then it really does not need to have a big, hollow, “acoustic” body. This idea ultimately lead to an electric solid body guitar known as [checks notes] the Gibson Les Paul. Decades later, after acoustic guitars began to feature piezo pickups, Les Paul’s contemporary and occasional collaborator, Chet Atkins, worked with that same company to create an electric nylon string guitar, the Gibson Chet Atkins CEC. Other companies such as Godin and Ibanez have had similar offerings, which never really caught on, yet are starting to gain popularity recently because of Tim Hensen from the band Polyphia.
That is a lot of names that are not terribly important right now, other than to point out that Crews Maniac Sound did not invent the electric nylon concept. What they did do was make it PURPLE.
The Six Nylon has a tele-ish shape with a different upper horn thing happening. It has a bolt-on neck, which rather curiously features steel-string tuning machines. Nylon string necks are wider at the nut, because strings themselves are thicker. They also typically do not have a radiused fretboard, although some more recent models will if they are aiming for crossover appeal to players more accustomed to steel string guitars. We can not quite tell which is the case here, and the description does not say. The body itself has a flame maple top with a purple stain and faux binding. It has a classical tie-the-strings-on bridge and a single volume control.
Crews Maniac Sound are a small Japanese company. We can not help but wonder if the name has significance, or whether it is sort of the inverse of an American who gets a tattoo of random Japanese characters, and perhaps in this case they just picked some English words that sound cool. The important thing is that it does sound cool, and the guitar looks cool, and we want it.
Zemaitis CAF-90H
Tony Zemaitis was a British luthier known for building guitars with elaborately engraved metal tops or inlaid pearl mosaics that look like museum pieces from the Renaissance era. They were played by some very famous artists, particularly in the 60s and 70s. Zemaitis Guitars is now owned by the same Japanese company that owns Greco (who as far we know, do not make purple guitars, and therefore we have never had any reason to mention).
We have seen heart-shaped sound holes before, often in “affordable” instruments. Whether or not this was something Tony Zemaitis himself came up with, or a later introduction, or who may have copied whom verses parallel thought… we simply do not know.
This guitar extends the heart theme with mother of pearl inlaid hearts (and dots) surrounding the sound hole. It also features a vaguely mustache-shaped bridge with abalone-inlaid pegs. Purple satined top with natural finish on the back and sides, and what lookalike tortoise shell binding.
All in all, while not as gaudy as their electrics, it is still excessively ornate enough to be worthy of the Zemaitis name.
Unfortunately for purple fans, these are only listed on the Japanese website and might only be available in Japan.
Ibanez Lari Basilio LB1
This guitar combines tele and strat features, which many have done in one form or another. In this case, it combines a tele shape with strat contours and body binding even around the arm carve, which seems non-trivial construction-wise, but this is a premium guitar.
Featuring custom Lari Basilio pickups from Seymour Duncan in HSS configuration, including a tele neck and an unusual looking middle pickup which is actually just another tele style pickup with an open-top cover. Much has been said on the internet about covered vs. uncovered humbuckers, which we are not going to rehash, other to say that the cover affects the magnetic field which therefore affects the tone *in some way*. How does an uncovered tele pickup sound in comparison to a covered one, or for that matter, a strat? We could not say, but probably different.
Five-way pickup switch, volume, tone, and an extra “Alter” switch that allows for five additional series and/or split combinations. Mostly gold hardware, including a fancy looking Gotoh two-point trem (vibrato) bridge, though the switches are not gold for whatever reason.
Violet finish with the aforementioned binding in white.