#exposeonline

27 posts · Last used Sep 27

New #review today: "#Grex is back with another blast of challenging musical statements, exclamations, and interrogations. When I first reviewed the band’s 2018 release Electric Ghost Parade, I wrote, “Musically, they’re all over the map, incorporating some sweet melodies, jazzy improvisations, indie guitar rock, strange bursts of sound effects and noise, and more.” That’s certainly just as true for Auntie + Tebs as it was for that album." #ExposeOnline #AvantRock #AvantJazz
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New #review today: "As it turns out, what’s next from the German duo #cHoclatFRoG is What’s Next? a set of eight tracks that expands their sound even further from their beginnings. Father (Rainer Ludwig) and son (Tim Ludwig) once again handle all the instruments and nearly all the vocals in this complex and varied music, ranging from crushing Crimsonesque dissonant math to contemplative electric piano." #ExposeOnline #ProgressiveRock #MathRock #AvantProgressive
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New #review today: "#Delirium's Sesta Strada lungo il Tempo is the latest chapter in a musical journey that now spans more than five decades. Emerging from the first wave of Italian #ProgressiveRock in the early 70s, surviving a hiatus of more than thirty years, and returning with a string of increasingly confident releases, the Genoese group continues to explore familiar themes of time, memory, travel, and the human condition. More importantly, they continue to do so with a vitality that many younger bands would envy." #ExposeOnline
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New #review today: "#Fjall’s previous album From the Rough Hill (2023) was a lengthy twelve-part #improvisation that sparked the imagination for its masterful use of unusual instruments mixing folk, world, jazz, free improv, and classical elements in what seemed to be a studio setting; Helt, the group’s second album, brings the same crew back together across two live dates in December 2023 and April 2025." #ExposeOnline #DiscusMusic #ExperimentalMusic #ImprovisedMusic
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New #review today: "Within Seattle’s community of experimental and boundary-pushing artists, the three responsible for Gefühlswallung are certainly in the top ranks. #AmyDenio is well known around the world and here at Exposé; #GregCampbell is one of the area’s top drummers; and #HeatherBentley’s cello and viola have appeared in many settings and collaborations with other artists." #ExposeOnline #ExperimentalMusic #ImprovisedMusic #RightBrainRecords
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New #review today: "#AlanJenkins continues his absurdist #psychedelic journey on from E.H. Gorilla Ltd. Atomic Engineering and Mobile Library with another evocative title, Pig Costume from the Time of the Vikings. The album presents ten tracks: one epic near 20 minutes in length and nine shorter pieces, some barely over a minute long." #ExposeOnline #PyschedelicRock
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New #review today: "As a budding keyboard player in the 70s, I really loved the sound of an overdriven #HammondOrgan I heard in bands like #DeepPurple and #UriahHeep, and it’s obvious that a lot of other people did too — and still do. #Gjenferd is a band from Bergen that’s a shining example of a modern band with that classic sound as their primary influence." #ExposeOnline #PsychedelicRock #ClassicRock #OrganRock
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New #review today: "Die Regeninsel is #DirkSerries’ sixth collaboration with #AsmusTietchens, thrice previously as #VidnaObmana (Untitled, Motives for Recylings, and The Shift Recyclings) and twice previously as Dirk Serries (Air and Die Hofner Akten); on this latest release Serries’ layered guitar abstractions meet Tietchens’ treatments and effects, pushing the limits of the possibilities of sound." #ExposeOnline #ElectronicMusic #AmbientMusic #ExperimentalMusic
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New #review: "Guitarist #RikWright is back with his #FundamentalForces, and Fool’s Fate sees them leaning into an edgier sound. Wright has been developing his tone over the years, and he’s now at a place where clean sustain meets a hint of distortion for melodic use, and eerie echoes and whammy bar provide atmospheric backing to other sections." #ExposeOnline #jazz #JazzNotJazz #JazzGuitar
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New #review: "The genesis of Voci Notturne is as intriguing as the music itself. #ExpiatoriA vocalist #DavideCiccarelli (aka Krieg) initiated the concept, a split release centered on the 90s Italian TV miniseries of the same name, and #IlSegnoDelComando immediately recognized the terrain, stepping in with their cinematic, occult, and deliberately mysterious sensibilities. The result is a seven-track collaboration that plays less like a traditional split and more like two parallel readings of the same shadowed narrative." #ExposeOnline #ProgressiveRock
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New #review today: "It won’t take more than ten or fifteen seconds into the opening track “How Dreams Do Creep (for Souls Asleep),” a nine-minute three part epic, to know that #IanNeal loves #ProgressiveRock and exactly who his biggest influence is; it sounds like he’s carefully studied and immersed himself in the sounds of #TonyBanks’ synthesizers, in particular the post-Gabriel #Genesis era from Trick of the Tail through Duke." #ExposeOnline
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New #review today: "Over the last 13 years, Sweden’s #Agusa has done something a lot of so-called “retro” prog acts never quite pull off: they’ve made the past feel present-tense. Yes, the ingredients are familiar — late-60s/early-70s #ProgressiveRock, Scandinavian folk melodies, touches of #Krautrock repetition — but this isn’t museum work. It’s muscle memory. It breathes, expands, contracts." #ExposeOnline
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New #review today: "#LorenzoBedini is best known as the primary songwriter and multi-instrumentalist of British #ProgressiveRock band #Airbridge going all the way back to their 1982 debut Paradise Moves, as well as all the more recent incarnations of the band beginning with the four-song EP Return in 2013. I suppose over the years he had composed some material that didn’t precisely fit the Airbridge sound, so it finds its way to life here on Bedini’s first solo album, Who Never Was." #ExposeOnline
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New #review today: "It was nearly 20 years ago now that I first heard HottoïzzoH, the debut EP by #OnségenEnsemble, and their first full-length album, Awalaï, came out in 2016. After that initial long gap, they managed three more albums at two-year intervals, followed by a four-year span until Realms, and now we have A Tale after a further four years." #ExposeOnline #ProgressiveRock #SpaceRock #PostRock
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