Missing #visap2023? Here are some making-of pictures of the installation process: so much work went into putting everything into place!
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VISAP
@visap@vis.social
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4.6.6
mini-conference and exhibition at the intersection of data visualization, art and design. #VISAP2023
Submission: 6 June, 2023
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Joined April 02, 2023
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#VISAP2023 is finished! Many thanks to authors and to all reviewers, students and organizers that volunteered their time to make this @ieeevis@vis.social event possible.
Special thanks to our supporters @MonashUni + @smallmultiples@vis.social
#visap2024 in Tampa Bay, Florida 🤞
Waiting for the Wave in Metaverse
A visualisation of a well-formed wave which retains its pleasing shape forever through
a process that mixes reality and virtual reality.
by Midori Yamazaki, Yves Leterrier, Junya Taguchi, Sandeep Virdi
The Vast Territory
Uses machine learning to reinterpret four iterative novel drafts and visualize them as fungus networks in the soil.
by Baltazar Pérez, Simón López Trujillo
Second and last #visap2023 session "Invisible Presence". Starting at 10.45 in room 103.
Programme: https://visap.net/2023/programme
Have a look at the catalogue for #visap2023, remotely designed by our design chairs @framoriniii@vis.social + @iosonosempreio@vis.social and printed in Melbourne by MONSU Workshop 👉 https://www.instagram.com/monsu.workshop/
Special thanks to Xavier Ho + Charlene Le for supporting in the process!
VISAP 2023 is possible thanks to our suppoters.
Small Multiples: a multidisciplinary team of data specialists, designers and developers who transform data into powerful, beautiful, inspirational instruments for change
https://smallmultiples.com.au/
VISAP 2023 is possible thanks to our supporters.
Monash University: public research university based in Melbourne, Victoria, Australia
https://www.monash.edu/
VISAP Opening Reception is TODAY! See you at 6:00 pm at the Library at the Dock Gallery, 107 Victoria Harbour Promenade, Docklands VIC 3008
🧭 https://osm.org/go/uG4HFoazS?m=&way=401309132
🗺️ https://maps.app.goo.gl/aYeGCCWFxWJyyWQv8
#ieeevis #visap #visap2023
https://maps.app.goo.gl/aYeGCCWFxWJyyWQv8
Spotlight
The book presents the invisible power of the internet and its abuse by global governments. As the pages are exposed to ultraviolet light, the visualizations come alive with textual insights and new details.
by Kimiya Pahlevan, Charles Perin
Only one day before the VISAP Opening reception
The programme is also in our website!
Today starts IEEE VIS! Find the link to the programme below and don't forget to reserve a time slot for VISAP!
#ieeevis #visap
https://ieeevis.org/year/2023/info/week-at-a-glance
Solar System
An audio-visual performance to allow humans to cognize with the surrounding, yet invisible, Solar System. Each planet’s unique data patterns (sidereal periods) is translated with audible and visible media.
by Hyemi Song
Three days before the VISAP Opening reception
Find all contributions in our website!
Posts with No Response: The Island of Loneliness
Thousands of tweets gathered between 2016 and 2019 in a sculpture reminds us that we are closer than we might think.
by Junxiu Tang, Rui Sheng, Yifang Wang, Xinhuan Shu, Xiaojiao Chen, Tan Tang, Yingcai Wu
Plastic Landscape: The Reversible World
The work brings decayed microplastics into an immersive experience: an ephemeral frozen landscape that is beautiful at a distance and distressing at close proximities
by Yoon Chung Han
Monster in a Snow Globe
Tactile and tangible manifestations of biographical data as a sculptural physicalization. Data is turned into an acrylic block akin to a snow globe that would not deter visitors from curious inspections.
by Florian Windhager, Viola Rühse, Michael Smuc
Mixtures of Human Experience, Intellectual Analysis, Data Representation and Our Natural Environment
A series of 4 artworks that use visual metaphor of ocean to urge us react to the climate crisis
by Francesca Samsel
Latent Prism
A stack of acrylic prints of artificially generated photos. They are presented along with credits printed on a 36-meter-long receipt roll.
by Jane Adams