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recyclism
@recyclism@tldr.nettime.org
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Joined October 20, 2024
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https://www.helloasso.com/associations/n/evenements/n-school-26
Down to one spot at NØ SCHOOL NEVERS 26!! You can register or get in touch for details!
https://www.helloasso.com/associations/n/formulaires/1
Help us continue our activities. Our current financial situation is very precarious. Anything donation would help! ✊
Join NØ SCHOOL NEVERS 26 for 2 amazing weeks of critical art making, hosted at Verte Inc. (Our studio) And la Chapelle Sainte Marie (our 17th Century temporary classroom and exhibition space). https://www.noschoolnevers.com/
Benjamin Gaulon, l'artiste qui refuse l'obsolescence des machines https://fisheyeimmersive.com/article/benjamin-gaulon/
https://noschoolnevers.com/
NØ SCHOOL NEVERS is a unique international summer school, held in Nevers, in Burgundy, aimed at students, artists, designers, makers, hackers, activists and educators who wish to further their skills and engage in critical research around the social and environmental impacts of information and communication technologies.
7th NØ SCHOOL NEVERS at VERTE INC.
rue Franc-Nohain, Nevers
June 29 > July 12 2026
Replying to
@GeantJaune@piaille.fr
Having similar research interests or drawing inspiration from others is natural (even essential) in artistic practice. Ideas evolve in dialogue, and many of us explore overlapping territories.
But there’s a difference between influence and appropriation.
Influence means developing your own response to shared questions.
Appropriation, in this case, means copying the visual structure, title, concept, and narrative framework of someone else’s work (without credit or acknowledgment).
This isn’t an isolated case either; others in the field have noticed similar patterns of uncredited borrowing from artists like Jeff Donaldson and others whose work was repackaged or even offered as NFTs under his name.
I don’t share this lightly. I know Philip personally (he even stayed at my house years ago). But silence enables repetition.
This post isn’t about gatekeeping or claiming ownership over ideas. It’s about respect for artistic labor and the integrity that sustains our community.
We can, and should, build upon each other’s research. But acknowledgment is the foundation of dialogue. Without it, art becomes extraction, not exchange.
New Obsolescence – ReFunct Media Workshop with Benjamin Gaulon – 21-23 November
https://www.firestation.ie/news/new-obsolescence-refunct-media-workshop-with-benjamin-gaulon/