Lumpentheorist; abolitionist; critic of whiteness, workerist cosmogony, and the ableism of the Left. Masks are empathy fashion. Own it—make it yours. Intricate words fulfill me: Anticipate jargon here. Semantic critique ain't your jam? Don't whinge—just go away. Ace enby aphant WP in #NYC. they/them/gonzo/whatever If you would throw me and mine to the wolves so to claim victory over those wolves, you can take your Democratic National Chamberlain 🤡ass to someone else's mentions.
Lumpentheorist; abolitionist; critic of whiteness, workerist cosmogony, and the ableism of the Left. Masks are empathy fashion. Own it—make it yours. Intricate words fulfill me: Anticipate jargon here. Semantic critique ain't your jam? Don't whinge—just go away. Ace enby aphant WP in #NYC. they/them/gonzo/whatever If you would throw me and mine to the wolves so to claim victory over those wolves, you can take your Democratic National Chamberlain 🤡ass to someone else's mentions.
Interesting. So based on what am finding, it may not be that TV stations compressed the films in question, so much as they didn't go to the trouble of uncompressing the already squashed 35mm for broadcast.
Still only finding discussion of the technology rather than the impact of those broadcasts on later art, but at least this provides more insight into what may have been happening at the stations.
Conversation (1)
Loading comments...