Lumpentheorist; abolitionist; critic of whiteness, workerist cosmogony, and the ableism of the Left. Masks are empathy fashion. Own it—make it yours. Intricate words fulfill me: Anticipate jargon here. Semantic critique ain't your jam? Don't whinge—just go away. Ace enby aphant WP in #NYC. they/them/gonzo/whatever If you would throw me and mine to the wolves so to claim victory over those wolves, you can take your Democratic National Chamberlain 🤡ass to someone else's mentions.
Lumpentheorist; abolitionist; critic of whiteness, workerist cosmogony, and the ableism of the Left. Masks are empathy fashion. Own it—make it yours. Intricate words fulfill me: Anticipate jargon here. Semantic critique ain't your jam? Don't whinge—just go away. Ace enby aphant WP in #NYC. they/them/gonzo/whatever If you would throw me and mine to the wolves so to claim victory over those wolves, you can take your Democratic National Chamberlain 🤡ass to someone else's mentions.
To be clear, however, my contextualization of this as coming out of "a generation for whom being socially abused for being geeky and nerdy" speaks not simply to enthusiasm for the tech. The entire culture in the 90s (which, notably, had by this point all but fully displaced the prior culture of women programmers a decade prior) was defined around enthusiasm for all the standard interests of geeks and nerds of the era. This being part of why myself, self taught in 6502 machine language on loose leaf notepaper as a child, felt so out of place, as most of the concerns of franchise fandom fell flat for me even then.
It was this culture, that thought of itself as the new status quo, that was subsequently hollowed out, leaving only the husk of what preceded it. By 2010, this hollowing out was already entering its second generation.
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