Michal Klodner

Moving from the field of audiovisual live performances and experimental film to forest gardening, building livinglab and back. With a background in information science and coding, I was among the founders and currently a curator of node9.org digital community server and online gallery. My practice involves writing on online activism, digital curation or postmediality, as part of creating networks based on trust in those fields. In the recent projects on the role of artistic research in sustainability I go into computational aspects of media art in relation to ecosystems and more than human natureculture communities, trying to develop livinglab as an interdisciplinary method of nondestructive living-research in nature and wilderness.

Moving from the field of audiovisual live performances and experimental film to forest gardening, building livinglab and back. With a background in information science and coding, I was among the founders and currently a curator of node9.org digital community server and online gallery. My practice involves writing on online activism, digital curation or postmediality, as part of creating networks based on trust in those fields. In the recent projects on the role of artistic research in sustainability I go into computational aspects of media art in relation to ecosystems and more than human natureculture communities, trying to develop livinglab as an interdisciplinary method of nondestructive living-research in nature and wilderness.

Moving from the field of audiovisual live performances and experimental film to forest gardening, building livinglab and back. With a background in information science and coding, I was among the founders and currently a curator of node9.org digital community server and online gallery. My practice involves writing on online activism, digital curation or postmediality, as part of creating networks based on trust in those fields. In the recent projects on the role of artistic research in sustainability I go into computational aspects of media art in relation to ecosystems and more than human natureculture communities, trying to develop livinglab as an interdisciplinary method of nondestructive living-research in nature and wilderness.

Moving from the field of audiovisual live performances and experimental film to forest gardening, building livinglab and back. With a background in information science and coding, I was among the founders and currently a curator of node9.org digital community server and online gallery. My practice involves writing on online activism, digital curation or postmediality, as part of creating networks based on trust in those fields. In the recent projects on the role of artistic research in sustainability I go into computational aspects of media art in relation to ecosystems and more than human natureculture communities, trying to develop livinglab as an interdisciplinary method of nondestructive living-research in nature and wilderness.

Moving from the field of audiovisual live performances and experimental film to forest gardening, building livinglab and back. With a background in information science and coding, I was among the founders and currently a curator of node9.org digital community server and online gallery. My practice involves writing on online activism, digital curation or postmediality, as part of creating networks based on trust in those fields. In the recent projects on the role of artistic research in sustainability I go into computational aspects of media art in relation to ecosystems and more than human natureculture communities, trying to develop livinglab as an interdisciplinary method of nondestructive living-research in nature and wilderness.

Moving from the field of audiovisual live performances and experimental film to forest gardening, building livinglab and back. With a background in information science and coding, I was among the founders and currently a curator of node9.org digital community server and online gallery. My practice involves writing on online activism, digital curation or postmediality, as part of creating networks based on trust in those fields. In the recent projects on the role of artistic research in sustainability I go into computational aspects of media art in relation to ecosystems and more than human natureculture communities, trying to develop livinglab as an interdisciplinary method of nondestructive living-research in nature and wilderness.

Moving from the field of audiovisual live performances and experimental film to forest gardening, building livinglab and back. With a background in information science and coding, I was among the founders and currently a curator of node9.org digital community server and online gallery. My practice involves writing on online activism, digital curation or postmediality, as part of creating networks based on trust in those fields. In the recent projects on the role of artistic research in sustainability I go into computational aspects of media art in relation to ecosystems and more than human natureculture communities, trying to develop livinglab as an interdisciplinary method of nondestructive living-research in nature and wilderness.

Moving from the field of audiovisual live performances and experimental film to forest gardening, building livinglab and back. With a background in information science and coding, I was among the founders and currently a curator of node9.org digital community server and online gallery. My practice involves writing on online activism, digital curation or postmediality, as part of creating networks based on trust in those fields. In the recent projects on the role of artistic research in sustainability I go into computational aspects of media art in relation to ecosystems and more than human natureculture communities, trying to develop livinglab as an interdisciplinary method of nondestructive living-research in nature and wilderness.

Moving from the field of audiovisual live performances and experimental film to forest gardening, building livinglab and back. With a background in information science and coding, I was among the founders and currently a curator of node9.org digital community server and online gallery. My practice involves writing on online activism, digital curation or postmediality, as part of creating networks based on trust in those fields. In the recent projects on the role of artistic research in sustainability I go into computational aspects of media art in relation to ecosystems and more than human natureculture communities, trying to develop livinglab as an interdisciplinary method of nondestructive living-research in nature and wilderness.

Moving from the field of audiovisual live performances and experimental film to forest gardening, building livinglab and back. With a background in information science and coding, I was among the founders and currently a curator of node9.org digital community server and online gallery. My practice involves writing on online activism, digital curation or postmediality, as part of creating networks based on trust in those fields. In the recent projects on the role of artistic research in sustainability I go into computational aspects of media art in relation to ecosystems and more than human natureculture communities, trying to develop livinglab as an interdisciplinary method of nondestructive living-research in nature and wilderness.

Moving from the field of audiovisual live performances and experimental film to forest gardening, building livinglab and back. With a background in information science and coding, I was among the founders and currently a curator of node9.org digital community server and online gallery. My practice involves writing on online activism, digital curation or postmediality, as part of creating networks based on trust in those fields. In the recent projects on the role of artistic research in sustainability I go into computational aspects of media art in relation to ecosystems and more than human natureculture communities, trying to develop livinglab as an interdisciplinary method of nondestructive living-research in nature and wilderness.

Moving from the field of audiovisual live performances and experimental film to forest gardening, building livinglab and back. With a background in information science and coding, I was among the founders and currently a curator of node9.org digital community server and online gallery. My practice involves writing on online activism, digital curation or postmediality, as part of creating networks based on trust in those fields. In the recent projects on the role of artistic research in sustainability I go into computational aspects of media art in relation to ecosystems and more than human natureculture communities, trying to develop livinglab as an interdisciplinary method of nondestructive living-research in nature and wilderness.

Moving from the field of audiovisual live performances and experimental film to forest gardening, building livinglab and back. With a background in information science and coding, I was among the founders and currently a curator of node9.org digital community server and online gallery. My practice involves writing on online activism, digital curation or postmediality, as part of creating networks based on trust in those fields. In the recent projects on the role of artistic research in sustainability I go into computational aspects of media art in relation to ecosystems and more than human natureculture communities, trying to develop livinglab as an interdisciplinary method of nondestructive living-research in nature and wilderness.

Moving from the field of audiovisual live performances and experimental film to forest gardening, building livinglab and back. With a background in information science and coding, I was among the founders and currently a curator of node9.org digital community server and online gallery. My practice involves writing on online activism, digital curation or postmediality, as part of creating networks based on trust in those fields. In the recent projects on the role of artistic research in sustainability I go into computational aspects of media art in relation to ecosystems and more than human natureculture communities, trying to develop livinglab as an interdisciplinary method of nondestructive living-research in nature and wilderness.