altkey (he\him)

That's fine compared to it being web only, thus subject to being disappeared at any moment, e.g. for closely resembling Adobe Photoshop UI and toolset.

And now a lot of the same shit is documented on video a couple of clicks away from where this boomer consumes content. I gave up on seeking morbid shit like an edgy teen a long time ago, but just regular news feed on telegram, reddit and the likes frequently brings up NSFW content. It's still spring but I remember at least a couple of clips this year of kids playing stupud games to their end I saw on the surface-level internets.

To be fair, they edited in the Microslop logo and also the Firefox icon, making a crying fox look like a narcissist hugging it's own image, that is not completely out of blue with their recent shitty decisions

1. It has it’s DRM implementation, that, albeit weak and useless, was designed to manage what you can or cannot plug these cords into, e.g. capture cards. That’s probably an advantage for Sony and others.
2. HDMI specs are <10m or bust, so for big rooms or video prod on HDMI you need amplifiers. They may be included in the cord itself, but that makes it one-directional, lol.
3. Not to say that HDMI cords are expensive and you also can’t press their ends to the lenght needed yourself, unlike what you can do with SDI cords.
4. No mechanisms preventing them against just popping out from the socket. Anecdotally, I think there’s something weird with their construction maybe, that in my experience made metal connectors suddenly come off completely around 5 times this year, while no other connectors suffered that faith, even dumb VGA that are prone to have their pins wrecked.
5. HDMI is rigidly limited to what it can with what standard and has no interesting things going for it imho, at least no daisy chaining multiple displays one after another that DP can.

Welcome to Farmington. Population: this tool

Posting them around rich people's private airfields would improve their footprint even further.

Typical Derry folks: fearing everything to the point of joining a redhead clown

People there a genuinely fed up with what Israel-the-State did, does and means, but it's universal, unconditional backing makes any objection ignored or even presecuted, that pushes them even further in their speech when they have a place to vent about it. Most (I heartly assume) won't even think of supporting a random bombing of civilians in Israel, but IDF headquarters, Pegasus developers' office may be seen as a fair game, since it is a matter of a personal choice. And these plans of Nvidia to build a facility there aren't far from that, this company is collaborating and supporting whatever that exact state does. That puts a stain on every entity that knowingly wants to profit off that, from contractors to employees many of whom have career options elsewhere. For Israel, inviting more and more companies on their ground brings them leverage, importance, legitimizes their landgrabs on international level and makes these facilities essentially a hostage, attack on which would be seen as extremely unacceptable. For Nvidia it's, probably, an undisclosed agreement about price rates for land, resources, maybe an untapped recruiting potential, but more importantly less regulations compared to more woke countries, as everything benefitting Israel is pretty legal and nice. As Israel army and intelligence want to be on the edge of weaponizing machine learning, it makes sense these two partner up to ensure maximal efficiency in their endeavours. It is unethical to train your AI to aim a gun at brown people, but not there, and here half of the world pays for just that kind of thing. For the war - it means, that another mega company put it's chips on the current Israeli state, so we are further and further from any sensible resolution. It's the opposite - it would feel even more empowered to do attrocities to everyone around them. And with how the situation unfolds, it's hard to imagine this state, and even the same people who populate this place to stop being the driving force behind genocides and warcrimes for it looks if not designed to be a constant peace disruptor, an avantguard of western hard power in the ME, but happens to be just that, and succeedes at that.

While the last bit seems true and I would like to have games soften their needlessly rough edges, some games are easier to redo than the others, and most require making decisive stylistic choices, some making it either a worthy tribute or a shitshow. I think, there can be a low-tier study examining and classificating different approaches. Take for example Quake 1, that was aimed at delivering QoL-oriented updates without changing anything else. Or Yakuza series having a couple of generations of remasters that did have a huge benefit of reusing world scenery, animations and movesets, models across many games. Then, Pathologic 2 that required a complete recreation. And, in contrast to that, purely visual updates, sometimes of questionable value. From the management standpoint, remasters are more predictable and usually more streamlined than creating original content. Take Diablo II Reforged. Devs had D4 engine ready, D2 as a reference and D3 as an anti-reference since it’s presentation was rather unpopular. There were nearly no unpredictable parts and all teams in this project can start working right away. It could be easily outsourced, also one can borrow some experts from other teams short-term rather than having them full-time. This isn’t only cheaper, it also synergetic with existing projects and comfortably manageable. But I can see deeper remastering works being unpopular not because they are more expensive than asset swaps, but because, well, to pitch that before the board of directors, you need to, first, know the value of mechanical changes yourself, and second, having board understanding it too or at least become convinced by your rhetoric. That’s so if everything is transparent, and these changes aren’t happening under the table after securing the budget first, that, I believe, is how it sometimes happens. The board usually can’t tell the difference in handling gameplay and the only thing they can discern is graphical fidelity between original and projected result, the efficiency of the workflow, the budget. While I can tell some more involved scene like fighting games have people educated about the importance of game mechanics, frame-sync etc, I’m sure that games made for more general public get greenlit by the least curious decision-makers. That select layer of governance is probably why the word ‘remaster’ sometimes gets perceived as a pejorative.