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@miranda_blue@eldritch.cafe

Post #4353248

2026-08-03 09:08 UTC

@siblingsofthevoid@void.lgbt Thanks for the advice! About 1, I already take all of my photos in RAW + JPEG. In 99% of times I do nothing with the RAW and it just ends up taking space on my NAS. 2 is good advice. Most of my photography is low light urban photography, shot at dusk or night, emphasizing colored lights, light and color contrasts, arrangements of objects in the scene. Usually I'd like to emphasize the color contrasts, but I already thought that I could play with black and white more if the colors are not that interesting but the light contrasts and overall picture are still nice. 4 is a good point, actually, and I've no idea how good my main screen is for that; it's not a terrible screen but I absolutely did not choose it for that (it's a 4K LG screen from 2018, and at the time I got it to watch movies at home). I should check and see if I can do some sort of calibration. (And I've been thinking of replacing this screen with something more suited to my current usages anyway, though I don't have the budget right now.) About 6 / 7, yes, I agree with the gist of it. I still take many pictures I like (they are mostly on my other account, @miranda@queer.roboctopus.org - almost all of them are unedited) and the more I know and use my gear, the better I get with it. Still, I think some pictures that are no good out of the camera could be made into something I like. Also, I feel that for some sort of pictures at least, the RAW is more like a... raw material and the editing can get you really different (and equally good) pictures out of it. I'm thinking for example of what people do here, where someone gives a RAW and different people play with it and give their take on it: https://discuss.pixls.us/c/processing/playraw/30 It seems to be especially the case for landscape photography, which is not a genre I do much, but maybe I would try it more if I understood how to process them better. And finally, on a more personal point of view, it feels really intellectually frustrating to me to not to be able to do at least as good as the camera's automatic processing. It's good that it gives good results, but I wish I could understand the process well enough to achieve the same result manually. As it is, when I use the JPEG, the camera is making choices for me. Even if I agree with those choices, I wish I could understand them well enough to also understand how they can be tweaked and how different choices could be made. It would just make my hobby more satisfying, regardless of whether or not I would get better photos out of it.

Replies (1)

  • @siblingsofthevoid@void.lgbt 2026-08-03 09:28

    @miranda_blue@eldritch.cafe I just had a quick look over your pictures and I genuinely think they're pretty great. You clearly have a good eye for the art. The vast majority of the camera's own color profile is really just "more saturation, more contrast". It genuinely isn't all that much more complex. The different profiles are simply how much extra you'll get. To understand what you like about an image, you have to understand its basic components. What are the most prominent colors? do you wanna strengthen said colors? mute them? Figuring out a goal for the edit of a specific picture is part of this. These pictures are an AMAZING example for editing, besides the fact that they are already amazing pictures. (not saying they need editing, but they're relatively easy ones to give an idea): https://queer.roboctopus.org/@miranda/statuses/01KGFPNHBWSBXJBF5YDEG5XCHD All pictures in that collection have two primary colors: dark green and light blue. You wanna emphasize the contrast? pull up blue and green in saturation and push the rest down. You wanna just emphasize one side? I'd personally emphasize the green. In a way that space feels more personal, while the blue feels more sterile. Even here it's a personal choice on what you wanna do with it. This is also where Darktable has a really nice UI to edit saturation. It's interface allows you to saturate parts of the spectrum, leaving others alone.

    Open ##4353247