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@sknob@mamot.fr

Post #4141346

2026-07-26 18:54 UTC

@bazkie@beige.party I realize that, but you can learn to do that just by ear. Do you like the sound of loop b after loop a? Does it sound good to you? Then it’s good! Does it create drama or excitement to switch from one to the other and back? If it does for you, then it does! The only rule is there are no rules (unless you want there to be, in which case there are plenty to invent or to pick from πŸ˜…)

Replies (1)

  • @bazkie@beige.party 2026-07-26 19:09

    @sknob@mamot.fr hm yeah I guess I could just try making loop b attempts, until I find one that works after loop a; but somehow it just feels so daunting to do anything anymore when loop a is already very "big" with multiple channels and all kinds of effects and stuff. again this is mostly my brain seeing mountains where there are probably none lol 🀣 so excuse my impossible whining! but anyway, I shall try this method of first just building a skeleton - as simple as possible - of a whole track, and only then work out the details per 'loop', maybe that solves my easily startled brain! (I've been planning on trying that forever by the way, but then in practice I just start building a single elaborate loop again, and then getting stuck πŸ˜… aaaah brain!!)

    Open ##4141345