Post #2582041

A recent Pitchfork review of One Stop described it well: "she accesses the strange, playful part of being alive; the unselfconsciousness of a child, or of someone entirely alone, moving through pure feeling, compelled by some private tic", in a culture of relentlessly curated, market-conscious artistic personas, this is not merely unusual. It is almost radical. She makes music that feels as though no one is watching, even when thousands are. https://blog.roughtrade.com/in-profile-why-aldous-harding-matters/?utm_source=ig&utm_medium=social&utm_content=link_in_bio&fbclid=PAdGRleARxryZleHRuA2FlbQIxMQBzcnRjBmFwcF9pZA8xMjQwMjQ1NzQyODc0MTQAAaeBIXDAup7iffqr-2ltRs93azyT6Qlr5i-Vro7qwbPmyTgpTr9K6fiJSCCK2g_aem_9k0E3Rwo-yE2J6JyPeNFQg